Love can do damn hurt: Julie has its eaters since he has returned after a motorcycle accident from the dead. Only by self-inflicting pain itself, the Zombie Girl may curb your appetite for fresh meat. And so it transforms gradually into a kind of pin-up for extreme piercing fetishists. As if that were not enough, the young couple is pursued alongside military and even of a Latino speed.
For the filming of his latest film, the New York director Eddie Israel must travel to Los Angeles. There, the production will be held to his psychological drama Mother of Mirrors for which the acting greats Sarah Jennings and Frank Burns could be won. During the recording of the multi-layered film in which a wealthy husband discharging a conflict with his passionless woman, Israel makes itself by developing a set-tyrants. He demanded more and more of his actors and is recognized downright obsessive of the subject of the film. When he then also begins an affair with his leading lady his private life starts becoming evident damage. Murayama is tired of his life. Especially his job makes it difficult to create. Murayama is a member of the Yakuza and a very successful one at that. But any thought of change must back pending, as a bloody gang war between two rival yakuza family breaks. Murayama is from his boss with some subordinates sent to the island of Okinawa to arbitrate in the dispute. He wants to get rid Murayama because it is more powerful and thus become a danger to own position of power in recent months. After Murayama and his men repeatedly narrowly escaped an ambush, he senses the betrayal. The suicidal Yakuza takes place with the rest of his troops to a remote beach house back. He rescues one night the young Miyuki in front of a rape. The girl joins the group and begins a budding romance with Murayama.
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